Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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Dreaming an Island review – an eerie tour of planet Earth’s depopulated future

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This documentary about a small Japanese island, a once thriving mining outpost that now has only 100 residents, lightens its existential concerns with a focus on human connection

In his second full-length documentary, Swiss director Andrea Pellerani gives us a guided tour of what a post-industrial, post-growth, or even an eerily post-human future might look like. We are on the south-western Japanese island of Ikeshima. Once a thriving mining outpost that was home to 8,000 people, since the facility’s closure in 2001 it has been reduced to just 100 mostly elderly holdouts. As the residents fish the grey sea off abandoned wharves, inspect pregnant cats and loiter around derelict lots, there is a sense they inhabit the set of a long-shuttered stage play, and are awaiting new lines.

Though it begins with long tracking shots of greenery choking empty apartment blocks, Dreaming an Island isn’t exactly ruin porn. Pellerani is more interested in the vestiges of human activity, and milks a distinct absurdity from the stalwart locals. One collects “fun” beach flotsam, there are guides waiting rather optimistically for an upswing in coal-mining tourism, while Ikeshima’s sole restaurateur hopes for a customer. “Is there anything interesting to see?” asks one who finally turns up. “In what sense interesting?” she replies.

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