BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

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A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
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Dreaming an Island review – an eerie tour of planet Earth’s depopulated future

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This documentary about a small Japanese island, a once thriving mining outpost that now has only 100 residents, lightens its existential concerns with a focus on human connection

In his second full-length documentary, Swiss director Andrea Pellerani gives us a guided tour of what a post-industrial, post-growth, or even an eerily post-human future might look like. We are on the south-western Japanese island of Ikeshima. Once a thriving mining outpost that was home to 8,000 people, since the facility’s closure in 2001 it has been reduced to just 100 mostly elderly holdouts. As the residents fish the grey sea off abandoned wharves, inspect pregnant cats and loiter around derelict lots, there is a sense they inhabit the set of a long-shuttered stage play, and are awaiting new lines.

Though it begins with long tracking shots of greenery choking empty apartment blocks, Dreaming an Island isn’t exactly ruin porn. Pellerani is more interested in the vestiges of human activity, and milks a distinct absurdity from the stalwart locals. One collects “fun” beach flotsam, there are guides waiting rather optimistically for an upswing in coal-mining tourism, while Ikeshima’s sole restaurateur hopes for a customer. “Is there anything interesting to see?” asks one who finally turns up. “In what sense interesting?” she replies.

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