Beverly Hills Cop: Axel F review – fish-out-of-water Eddie Murphy chases past glories

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Murphy’s maverick cop – and his theme music – are back to fight corruption, but four decades on there’s little energy to enliven their formulaic reunion Eddie Murphy isn’t finished yet – as he proved with his barnstormer of a performance as Blaxploitation pioneer Rudy Ray Moore in Dolemite Is My Name . But there’s something a bit tired and formulaic about this further go-around for his iconic Detroit cop Axel Foley from the Beverly Hills Cop action-comedy franchise which 40 years ago made Murphy an explosive Hollywood star – and whose catchy Axel F theme became an 80s anthem, duly revived here. He’s back for the fourth film, yet again leaving his Detroit turf to be a scruffy fish-out-of-water in the hilariously chi-chi world of Beverly Hills, yet again wryly noticing from the wheel of his car, on the way in, a montage of all the crazy California stuff, including a car registration plate reading: PRE-NUP. Axel’s grownup lawyer daughter Jane (Taylour Paige) is in Beverly Hills, menace
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Jeremy Pope: ‘An Oscar changes where the comma goes in your cheque’

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The Pose star, who plays a gay marine in the military drama The Inspection, discusses Black masculinity, quitting a studio film over his sexuality – and his bodybuilding pastor father

No one – other than Kaa the snake from The Jungle Book – has eyes like Jeremy Pope. Watch the 30-year-old actor in The Inspection, in which he plays a young gay marine, or in the glittery TV series Hollywood or Pose, both co-created by Ryan Murphy (who recently called Pope “the future”), and it’s hard to deny the hypnotic power of his peepers.

They stay hidden for most of our video call today: he keeps his phone flat on the desk in front of him, with the camera pointing upwards, providing an intimate view of his nostrils. At least his mellifluous voice is music to the ears, even if he does have a habit of referring to himself in the third person.

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