The Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama

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Cannes film festival: Sachs’ film about an HIV-positive actor in the homophobic Reagan-era 80s is well-intended, but Malek’s mannered performance is hard to love This film from writer-director Ira Sachs gives us premium-strength, undiluted Rami Malek – but I have to say that his overripe performance and self-conscious mannerisms here are perhaps even more oppressively insistent for being conveyed relatively quietly in spoken dialogue. And not quietly at all in the singing scenes. Malek is a performer whose style is as distinctive as those of John Malkovich or Jeff Goldblum. But it works best with a light touch in the direction and material. Things never really come together here. The Man I Love is a film about gay culture in 1980s New York, at the height of the reactionary homophobia of Reagan’s America, with HIV-positive men coming to terms with their condition and with the callous bigotry of the political zeitgeist. In one hospital scene, we see the authorities’ icily unsympathetic ...
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Actor Phil Davis resigns Bafta membership over ‘embarrassing travesty’ of TV awards show

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The actor, known for films like Quadrophenia and Vera Drake, described the Baftas TV show as ‘toe-curling’

Veteran actor Phil Davis has said he has resigned his Bafta membership in protest at a number of aspects of Sunday’s televised awards ceremony, including the omission of Bernard Cribbins from the In Memoriam section.

Describing the show as “an embarrassing travesty”, Davis – best known for a string of films and TV shows including Quadrophenia, Vera Drake, and Whitechapel – announced his resignation on social media. He added: “Cutting deserving winners speeches for toe-curling non-interviews. Poor Richard E Grant pretending to arrive in a Batmobile and no Bernard Cribbens [sic] in memorium.”

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