Dossier 137 review – tense gilets-jaunes thriller divides cop’s loyalties over police brutality
Cannes film festival A taut, charged procedural from Dominik Moll follows a conflicted officer investigating violence to a teenage protester Dominik Moll’s Dossier 137 is a serious, focused, if slightly programmatic movie about police brutality in France; there are docu-dramatic storytelling reflexes and a determined procedural tread. The movie takes its cue from the horrifying real-life cases of gilets-jaunes protesters in France’s 2019 demonstrations who suffered near fatal injuries due to the police’s trigger-happy use of the LBD gun : the lanceur de balle de défense or “flash ball” gun which (deafeningly) fires vicious rubber bullets. Stéphanie, played by Léa Drucker, is a conscientious police officer in the IGPN, the Inspection Générale de la Police Nationale, effectively the Internal Affairs bureau, investigating horrific head injuries suffered by a teen protester, which could only be caused by the cops’ flash-ball weapons. She is divorced from a cop, Jérémy (Stanislas Merhar...
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