Death is not the end! From the new robot Walt Disney to Mountainhead, movies are fuelled by immortality
Transhumanism has long propelled films from Metropolis to The Matrix. But Jesse Armstrong’s billionaire satire isn’t sci-fi fantasy. Nor is the ‘robotic Grampa’ Disney’s granddaughter so despises For years, the world’s most perfect urban myth was this: Walt Disney’s body was cryogenically frozen at the moment of death, waiting for technology to advance enough to bring him back to life. Started by a National Spotlite reporter who claimed to have sneaked into a hospital in 1967, only to be confronted by the sight of Disney suspended in a cryogenic cylinder, the myth prevailed because it was such a good fit. Disney – and therefore Walt Disney himself – was the smiling face of rigidly controlled joy, radiating a message of mandatory fun that is magical when you are a child and increasingly sinister as you age. This policy (essentially “enjoy yourself or else”) suits the idea of cryogenic preservation. After all, if you have the ego to successfully enforce a blanket emotion as a company m...
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