Olivia review – unhurried, painterly fable about loss aims to expose the meaning of grief
Argentinian director Sofía Petersen’s self-conscious film tries for the weight of slow cinema, but is formless, inert and hibernating within its own heavy unlit gloom Argentinian director Sofía Petersen’s film is a mysterious depiction of loneliness and loss in the stark landscape of Tierra del Fuego; it is extended and unhurried, unfolding often to the sole accompaniment of a thin, desolate wind. It was well-received at last year’s Locarno film festival, but despite believing in the importance of slow cinema, I have to admit that this defeated me. Often formless and inert, I found its still life painterly compositions shot on 16mm film, heavy on lingering closeups on old spoons and watch-faces, redundant and self-conscious. The film seemed to be hibernating within its own heavy unlit gloom and its central theme – the meaning of grief – was not really exposed. Continue reading... from Film | The Guardian https://ift.tt/r6CT4pk via IFTTT
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