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Ye confirms India concert at Delhi’s Jawaharlal Nehru Stadium on may 23

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Global rapper and producer Kanye West has officially confirmed his India performance, putting an end to ongoing speculation after sharing the Ye Live in India tour flyer on social media. The announcement has quickly gained traction online, with fans reacting to the news across platforms. The concert is scheduled to take place on May 23, 2026, at Jawaharlal Nehru Stadium, marking a major addition to India’s live music calendar. With the confirmation coming directly from the artist, the event is now being seen as one of the most high-profile international concerts to be hosted in the country in recent years. Kanye West is known for delivering large-scale performances that go beyond conventional concerts. His shows often feature elaborate stage setups, experimental visuals, and a strong focus on creating an immersive experience for audiences. While specific details about the India show remain undisclosed, expectations are high that it will reflect his signature style of production. The...
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Sooraj Barjatya & Mahaveer Jain to unveil title and release date of Ayushmann Khurrana and Sharvari starrer

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In what is being described as one of Hindi cinema's most eagerly awaited announcements of the year, veteran filmmaker Sooraj Barjatya and Mahaveer Jain are set to reveal the title and release date of his upcoming film today a project that has been shrouded in deliberate, masterful secrecy for months. The film, produced jointly by Rajshri Productions the house that Barjatya built into a byword for wholesome Indian storytelling and Mahaveer Jain, is understood to be a sweeping family entertainer, a genre the director has elevated and made entirely his own across a career spanning three decades. At the heart of this highly anticipated project is a headline-grabbing pairing, National Award-winning actor Ayushmann Khurrana alongside the fast-rising Sharvari, whose star trajectory has made her one of the most sought-after talents in contemporary Bollywood. Their combination has already ignited fervent speculation among fans and trade observers alike. Perhaps equally thrilling for musi...
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‘I’ve had white knuckle moments’: Michael Socha on This Is England, his patchy beard – and seedy new casino thriller The Cage

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As he stars alongside Sheridan Smith as a casino boss on the take, the actor talks about leaving school with no qualifications, playing vile dads – and why he’s eager to circulate the This Is England reunion rumour Michael Socha is about to jump on a train to Wales. The impressively bushy beard he’s got is for his role in The Witch House, a dramatic adaptation of an episode of the Danny Robins podcast Uncanny , about a supposed haunting in the Brecon Beacons. He plays Bill Rich, who moves his family to a spooky old farmhouse where it all goes “horribly wrong”, Socha says. “In the photos he has a beard, and I thought, ‘I’ll match that.’” The actor strokes his chin and turns his head from side to side. It looks pretty substantial to me. “You say that, but see this bit? I’m struggling. It’s a bit patchy there. I’m happy with this bit, but then this needs work.” Socha has just left a screening of his new BBC thriller The Cage, and he has the gentle bounce of a man who struggles to stay s...
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Jio Studios and Collective Studios’ Historyverse unveil teaser of Krishna at NAB 2026 in Las Vegas

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Jio Studios and Collective Studios’ Historyverse today unveiled the global first teaser of Krishna, an upcoming theatrical feature directed by Manu Anand, at the NAB Show 2026 in Las Vegas. At the heart of Krishna lies a new cinematic pipeline developed by Galleri5, Collective Artists Network’s in-house AI platform, built on Microsoft Azure’s advanced AI and cloud capabilities. This collaboration brings together cutting-edge technology with Jio Studios’ scale, storytelling expertise, and commitment to creating globally resonant Indian content. The film’s first look and Collective Artists Network’s AI platform were featured in Microsoft’s keynote at NAB, “Powering Intelligent Media; From AI Experimentation to Real-World Impact.” Collective was highlighted as a leading Frontier organization that is moving AI beyond experimentation into real, production-scale deployment in cinema. The technology is also featured in Microsoft’s NAB booth (West Hall, Booth W1731). Krishna represents a dep...
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Atlee and wife Priya welcome baby girl; Filmmaker shares heartwarming family announcement

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Filmmaker Atlee and his wife, producer Priya Atlee, have welcomed their second child, a baby girl. The couple shared the happy news on social media in an adorable and emotional way, delighting fans and well-wishers across the country. Instead of a conventional announcement, the couple chose to reveal the arrival of their daughter through their son Meer. A heartwarming post shared on their social media featured a cheerful message that read, “Yay! I’ve got a baby sister!” The announcement also included an illustration of young Meer, making the reveal even more special for followers. The note further confirmed the joyful update, stating, “We, Priya and Atlee are blessed with a baby girl. April 20th, 2026.” Keeping the caption simple yet emotional, the couple wrote, “Feeling blessed.” Soon after the post went live, social media was flooded with congratulatory messages from fans, friends, and members of the film fraternity.   View this post on Instagram   A post shared by Atle...
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Olivia review – unhurried, painterly fable about loss aims to expose the meaning of grief

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Argentinian director Sofía Petersen’s self-conscious film tries for the weight of slow cinema, but is formless, inert and hibernating within its own heavy unlit gloom Argentinian director Sofía Petersen’s film is a mysterious depiction of loneliness and loss in the stark landscape of Tierra del Fuego; it is extended and unhurried, unfolding often to the sole accompaniment of a thin, desolate wind. It was well-received at last year’s Locarno film festival, but despite believing in the importance of slow cinema, I have to admit that this defeated me. Often formless and inert, I found its still life painterly compositions shot on 16mm film, heavy on lingering closeups on old spoons and watch-faces, redundant and self-conscious. The film seemed to be hibernating within its own heavy unlit gloom and its central theme – the meaning of grief – was not really exposed. Continue reading... from Film | The Guardian https://ift.tt/r6CT4pk via IFTTT
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Handcuffs, dog bites and avian warfare: how personal grudges sullied Alfred Hitchcock’s reputation

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The director liked to create tension on-set to draw out stronger performances. But have stories about his psychological tricks been inflated in the retelling? In 1978, shortly after publishing The Art of Alfred Hitchcock, biographer Donald Spoto met the director one last time. At one point, Hitchcock appeared to fall asleep mid-conversation, signalling the end of his involvement with the author. On another occasion, Spoto recalled being bitten by Hitchcock’s West Highland terrier, Sarah, leaving a bruise on his hand. When Hitchcock admonished the dog, Spoto noted it was the first time in four years the director had addressed him by name. These accounts have surfaced in an unearthed transcript of a previously forgotten interview between Spoto and the actor Tippi Hedren in 1980, six months after Hitchcock’s death. But they also suggest something else: an uneasy relationship from the outset, shaped by misreading, distrust and a degree of personal grievance. Continue reading... from F...
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The man who saw the future: the legacy of cultural theorist Mark Fisher

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Touching on everything from late-stage capitalism to Adele, the work of the late writer is proving increasingly influential. Now a documentary on him is looking to live up to his ideals Capitalist Realism: Is There No Alternative? was published in 2009 to critical silence. Journalists and academics initially dismissed Mark Fisher’s book, ignoring the cultural theorist’s requests for coverage and interviews, and even the then owner of his publisher, Zer0 Books, lamented that it was unmarketable. Fisher, also prone to self-doubt, questioned the relevance of his thesis and the gravitas of his personal approach after attempting, and failing, to write a traditional systematic work of theory. As of December 2025, more than 250,000 English-language versions of Capitalist Realism have been sold, with translations available in Spanish, Italian, Arabic Mandarin, German, Portuguese, Polish, Japanese, Hebrew, Korean and Danish. Fisher, unassumingly, had aspired to sell a few hundred. Revered for...
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Deepika Padukone announces second pregnancy with Ranveer Singh in a heartwarming post featuring daughter Dua

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Deepika Padukone has delighted fans with a major personal announcement. The actress has revealed that she is expecting her second child with husband Ranveer Singh, sharing the news through a heartfelt Instagram post that quickly went viral across social media. Keeping the announcement understated and intimate, Deepika posted a picture featuring daughter Dua holding a positive pregnancy test kit. The little one’s face was carefully concealed in the frame, maintaining the couple’s continued preference for privacy when it comes to their family life. Instead of words, Deepika captioned the post with two nazar amulets, allowing the image itself to convey the happy news. Within minutes of the upload, fans and members of the film fraternity flooded the comments section with congratulatory messages for the couple, who remain among Bollywood’s most-loved celebrity pairs.   View this post on Instagram   A post shared by दीपिका पादुकोण (@deepikapadukone) Deepika and Ranveer’s journ...
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French director of Nazi collaborator film rejects ‘historical gaslighting’ claims

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Xavier Giannoli says criticism that Les Rayons et les Ombres invites sympathy for characters is ‘profoundly dishonest’ The director of a box office hit film about Nazi collaboration and its Oscar-winning star have described criticisms they have whitewashed wartime atrocities as dishonest and “a scandal”. Xavier Giannoli and the actor Jean Dujardin were responding to a bitter row that has divided French historians over the film Les Rayons et les Ombres (Rays and Shadows), which recounts the story of the wartime press baron Jean Luchaire. Continue reading... from Film | The Guardian https://ift.tt/xCyd0Vg via IFTTT
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