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Despite its interesting low-res look, Alexandre Koberidze’s mystifying film is needlessly contrived Georgian film-maker Alexandre Koberidze appeared to revive the spirit of the French New Wave with his previous film What Do We See When We Look at the Sky? – an unhurried, meandering and garrulous movie with its own cheeky sort of low-tech magic realism as it followed its nose around the city of Kutaisi. His new film is a mystifying three-hour road movie, shot (as was his debut film Let the Summer Never Come Again) on low-res video, like that of an obsolete cameraphone. It is even more challenging and I have to admit it defeated me, despite some intriguing qualities, including a dry touch of comedy. A middle-aged man called Irakli (David Koberidze) receives a letter addressed to him and his wife, Nino (Irina Chelidze), from their twentysomething photographer daughter Lisa, announcing that she wishes to disappear from their lives. A police officer tells them that Lisa is an adult who can...

Veteran actor Govind Namdev has publicly distanced himself from the controversial film Kala Hiran: The Battle for Legacy, claiming that he was misled about the nature of the project and would never have agreed to be associated with it had he known its actual premise. Speaking to Amar Ujala, the actor said he initially believed he was working on a film titled Sambhal. He later learned that another project titled Kala Hiran was being made, but was told that it would focus only on courtroom proceedings related to Salman Khan's blackbuck case. Recalling his reaction after watching the teaser, Namdev said, "As soon as I watched the trailer, I was shaken to the core. I instantly understood that the project is completely different from what I was shot for. We were never told that a character resembling Salman Khan would be created and misrepresented in this manner in the film. The moment I saw the trailer, I felt like I had been kept in the dark and used. There is a world of differe...

On June 10, Bollywood Hungama reported that the Central Board of Film Certification (CBFC) sprang a pleasant surprise by passing three crucial films of the week with zero cuts – Bharat Bhhagya Viddhaata, Haunted – Echoes Of The Past and Backrooms. However, the sole exception was Disclosure Day. The film received its censor certificate at the eleventh hour and was required to make a few cuts. In a dialogue in the first act, the word ‘sex’ was muted. It occurs in the scene where Daniel Kellner (Josh O'Connor) learns that his girlfriend, Jane (Eve Hewson), was a nun. When asked whether she still follows the same religious commitments, Jane replies in the negative, pointing out that they’ve already had sex. It is in this dialogue that the CBFC made a change. The other word that got muted was ‘f**k’, and it occurred twice in the film. Once these changes were made, Disclosure Day was passed with a U/A 13+ certificate on June 11. The length of the film, as mentioned on the censor certifi...

The next two weeks are expected to be exciting for the film industry, with two keenly-awaited films gearing up for release – Cocktail 2 and Welcome To The Jungle. The former, starring Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, is all set to arrive in cinemas on Friday, June 19, and has already generated tremendous buzz due to its franchise value, chartbuster music, youthful appeal and fresh casting. The advance booking of Cocktail 2 opened at the stroke of midnight on June 14 and it has now come to light that the romcom has been passed by the Central Board of Film Certification (CBFC) with an ‘A’ certificate. Moreover, the film’s runtime is said to be 150 minutes. In other words, Cocktail 2 is 2 hours and 30 minutes long. With this, Cocktail 2 becomes the first-ever adult-rated film of Kriti Sanon’s 12-year career. For Rashmika Mandanna, it marks her second ‘A’-rated Hindi film after the blockbuster Animal (2023). As for Shahid Kapoor, this is the fifth adult-rated film of his ...

The actor on missing his late mother, Maggie Smith, being mistaken for Damian Lewis, and looking ‘like a fridge’ Born in London, Toby Stephens, 57, is the son of actors Maggie Smith and Robert Stephens. He trained at Lamda and, in 1992, made his film debut in Orlando. In 2002 he played the Bond villain in Die Another Day. His television work includes One Day, The Split and Black Sails. On stage he has performed for the RSC and the National Theatre, and he is currently starring in Equus at London’s Menier Chocolate Factory, until 4 July, and then Theatre Royal Bath, from 14-25 July. He is married to the actor Anna‑Louise Plowman, with whom he has three children, and lives in London. What is your greatest fear? To be completely alone. Continue reading... from Film | The Guardian https://ift.tt/BhbEa2J via IFTTT

Netflix has officially announced Ikka, an upcoming courtroom thriller headlined by Sunny Deol and Akshaye Khanna. Directed by Siddharth P. Malhotra, the film is set to premiere on the streaming platform on July 10 and marks Sunny Deol’s first-ever Netflix original film. The legal drama brings together Sunny Deol and Akshaye Khanna for a gripping face-off, reuniting the two actors on screen after decades. Set against the backdrop of a high-stakes courtroom battle, Ikka explores themes of justice, morality, family, and the consequences of choices made in the past. At the heart of the story is a celebrated lawyer, played by Sunny Deol, who is compelled to defend a man from his past, portrayed by Akshaye Khanna. The unexpected return of this individual forces him to confront unresolved wounds while taking on a case that challenges his deepest convictions. As personal loyalties and professional responsibilities collide, the lawyer finds himself navigating a battle where every decision come...

The Gossip Girl star can recover legal fees and costs arising from It Ends With Us co-actor’s countersuit Blake Lively can recover some legal costs from fellow actor and director Justin Baldoni but not punitive damages and other relief she sought after settling her legal claims over their 2024 film It Ends With Us, a judge ruled on Friday. Judge Lewis J Liman said in a written ruling that Lively can recover legal fees and costs related to her defense against a countersuit Baldoni brought against her after she sued him in December 2024. Continue reading... from Film | The Guardian https://ift.tt/j7UxA9y via IFTTT

The Delhi High Court on Friday issued notices to the makers of Kala Hiran: The Battle for Legacy after superstar Salman Khan approached the court seeking to stop the film’s release. Justice Neena Bansal Krishna directed notices to be served to producer Amit Jani, Jani FireFox Films, director Bharat Shrinate, casting director Akshay Pandey, and other concerned parties. The matter has now been scheduled for further hearing on June 19. Representing Salman Khan, advocate Nizam Pasha informed the court that a promotional poster released on May 29 featured a character bearing a strong resemblance to the actor. He pointed out that the individual in the poster was also shown wearing a bracelet similar to the one widely associated with Khan. According to the counsel, the film allegedly breaches a Delhi High Court order dated December 11, 2025, which safeguarded the actor’s personality rights. During the proceedings, Pasha reiterated that the project was in violation of the earlier judicial ord...

With beloved stars’ personal items increasingly up for grabs after they die, a new generation of fans are bidding on everything from bowler hats to dog bowls From Diane Keaton’s bowler hats and polka dot scarfs, to Gene Hackman’s used paint brushes, to Terence Stamp’s love letters from Jean Shrimpton and even Matthew Perry’s black leather wallet (his credit cards and AAA membership card still inside), fans are being offered – at a price – increasingly personal items from the estates of dead celebrities. The growing trend for auctions of deceased famous people’s personal items – which has boomed ever since the hugely popular Marilyn Monroe estate sale in 1999 – has even attracted its own portmanteau: “deleb” as in dead celebrity. Continue reading... from Film | The Guardian https://ift.tt/4Yh215g via IFTTT