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The 73-year-old has been at the cutting edge of US independent cinema since the 1980s. As Father Mother Sister Brother opens in the UK, he talks about grief, greed and ‘doing crazy shit’ with Steve Coogan In 1991, Jim Jarmusch was casting for his anthology film Night on Earth. The premise was simple: five taxi drivers in five cities pick up passengers, set to a soundtrack by Tom Waits. The writer-director wanted Gena Rowlands to play a passenger, but she took some persuading. “Night on Earth was the first film she’d made since losing John [the director John Cassavetes, her husband] and she wasn’t sure. Eventually she said: ‘OK, I’ll be in this film for you.’” Jarmusch does a perfect impression of Rowlands, as he does with everyone he quotes – it’s quite a talent. In the first vignette, Winona Ryder picks up Rowlands, who plays a casting director. Ryder, chewing gum, baseball cap on backwards, lights a cigarette; Rowlands, all old-school Hollywood elegance, sits in the back, asking Ry...

Months after the release of Dhurandhar in December 2025 and its sequel, Dhurandhar The Revenge, on March 19, 2026, the Aditya Dhar-directed duology continues to remain part of industry conversations. The latest filmmaker to weigh in on the debate surrounding the films is Sandeep Reddy Vanga, who strongly reacted to those labelling the project as propaganda. Vanga recently attended a screening of Dhurandhar: The Revenge at Allu Arjun’s theatre in Hyderabad, along with Prabhas, who is set to headline his upcoming directorial, Spirit. After watching the film, the filmmaker took to X to share his thoughts and defend the makers. In his post, Vanga wrote, “Writers & actors built careers on propaganda, and the industry stayed quiet like cats. Now the same clan mock Dhurandhar. You don’t get to call yourself liberal if your first instinct is to Mock. Don’t know when truth started getting labeled as propaganda...... strange times.” He further added, “I want to tell @AdityaDharFilms &...

The 79th edition of the influential festival boasts an auteur-heavy lineup – with one, very big, country conspicuous by its almost total absence Gillian Anderson and Cara Delevingne to hit Cannes as auteur heavyweights dominate festival lineup Has Europe fallen out of love with the US? Has Cannes fallen out of love with Hollywood? Will the festival, like Nato, become a non-American institution? Either way, the annual announcement of the Cannes selection has revealed a list that skews away from Hollywood towards a renewed dominance of world-cinema auteurs and heavy hitters, including Pedro Almodovar, Cristian Mungiu and Asghar Farhadi. There’s certainly nothing to compare with last year’s Tom Cruise Mission: Impossible extravaganza, although there are directorial debuts out of competition for Andy Garcia (also starring) with his crime drama Diamond, and John Travolta directs Propeller One-Way Night Coach, expressing his love of aviation, based on his own novel. There are no Britis...

The actor on singing with Brian Wilson, why War and Peace is the best book ever written and what drew him to his latest film, The Wizard of the Kremlin You were wonderful as Brian Wilson in Love & Mercy . Did you get any feedback from the great man himself? Fran2016 and Aubrey26 Thank you. I spent a bunch of time with Brian before filming. If you asked him about the world, you might only get a little bit out of him. But if you asked about music, he’d light up. I loved talking with him. I also got to sing with him and his touring band a few times, which was amazing. We filmed in the studio in which they recorded Pet Sounds, and he came on set, which was a trip. I didn’t get much feedback in terms of my performance – it was more getting to know each other and learning about his life. Which was more challenging in Little Miss Sunshine – the first half where you don’t speak, or the second half where you break your vow of silence? mattyjj I remember the first few days, filming...

The 79th edition of the film festival will see work by Pedro Almodóvar, Hirokazu Kore-eda and László Nemes considered for the coveted Palme d’Or Gillian Anderson, Rami Malek, Cara Delevingne and John Travolta are expected to walk the red carpet at Cannes this year, as the world’s most influential film festival unveiled an auteur-heavy lineup for its 79th edition. Competing for the coveted Palme d’Or will be new films by heavyweights Pedro Almodóvar, Hirokazu Kore-eda, Paweł Pawlikowski, László Nemes and Asghar Farhadi. Continue reading... from Film | The Guardian https://ift.tt/x21hALr via IFTTT

The period drama set in feudal Japan is an epic of divine proportion, tackling grand questions of faith and colonisation with remarkable fervour Get our weekend culture and lifestyle email The year is 1640. Sebastião Rodrigues (Andrew Garfield) arrives in Japan with fellow Jesuit missionary Francisco Garupe (Adam Driver) to search for their missing mentor, Cristóvão Ferreira (Liam Neeson). There, Rodrigues witnesses how “Kirishitans” – historical Japanese Catholics – must practise their faith in secret because their religion is heresy in Edo-period Japan. As he observes how the Japanese belief differs from his teachings, Rodrigues begins to question his faith. Despite praying ceaselessly, Rodrigues does not hear back from God. Silence, one of Martin Scorsese’s passion projects, was released in 2016 after nearly three decades in development. Scorsese’s dedication mirrors the spiritual journey of his protagonist. Continue reading... from Film | The Guardian https://ift.tt/2SV6T...

Halle Bailey and Regé-Jean Page flirt their way through expected genre tropes in a watchable, if a little unspecific, slice of formulaic fantasy You, Me & Tuscany is a perfectly wholesome and harmless meet-cute that starts by asking: “What if the Little Mermaid had a Lady and the Tramp-style hookup with the season one heart-throb from Bridgerton, spaghetti and all?” Halle Bailey is Anna, hopelessly navigating life after the death of her mother, torn between the worlds of adult responsibility and inner child whimsy. A freelance hustle as a house sitter helps make ends meet, but her impulse to fully inhabit her clients’ lives constantly threatens her livelihood. A gig watching over a spectacular Central Park West apartment seems out of a dream. But it quickly goes awry when the lady of the house (Nia Vardalos in a sly cameo) returns early and catches Anna cosplaying as a Park Avenue princess in her premium lingerie. Embarrassed, Anna retreats into the arms of her bestie Claire (Az...

Production banner Trimurti Films has filed a lawsuit against filmmaker Aditya Dhar’s company B62 Studios, alleging unauthorised use of the song ‘Rang De Lal’ in the film Dhurandhar The Revenge. The dispute relates to the rights to the track, which originally appeared in the 1989 film Tridev. The song was co-composed by Anand–Milind, written by Sameer Anjaan, and sung by Amit Kumar and Sapna Mukherjee. What the lawsuit alleges According to sources familiar with the matter, Trimurti Films has claimed ownership or control over the relevant rights connected to the musical work and sound recording of ‘Rang De Lal’. The company has alleged that the song, or a version substantially similar to it, was used in the film without obtaining the necessary permissions. The suit states that such use amounts to copyright infringement, including unauthorised reproduction and communication of the work to the public. Trimurti Films has sought an injunction to restrain further use of the song, along wit...

Actor Kartik Aaryan has approached the Bombay High Court, alleging unauthorised commercial use of his personality across multiple online platforms, in a move that underscores growing concerns over digital misuse of celebrity identities. According to reports, the actor has filed an intellectual property (IP) suit seeking protection of his name, image, likeness, and other identifiable attributes, which he claims are being used without consent. The plea targets several online platforms as well as unidentified individuals, often referred to as “John Doe” parties, accused of exploiting his persona for commercial gain. In his petition, Kartik has sought a permanent injunction to restrain entities from using his identity in advertisements, merchandise, or digital content. He has also urged the court to direct platforms to take down such material and disclose details of those responsible. The actor’s legal team has argued that the misuse extends to emerging digital formats, including manipul...