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Their movie about marital bed death is this summer’s buzziest, funniest film. Its director and her co-star talk self-loathing, psychosexuality and unexpected eruptions Earlier this week, Edward Norton took a night flight from Los Angeles to London and felt so dreadful the next day he decided to get a massage. “I hadn’t had one in such a long time,” he says, “and I almost started crying. You’re like: ‘Oh! Ah!’” He has heard similar sounds from cinemas screening his new movie, The Invite, which is about the devastating impact of marriage on your sex life. “People are almost tearful. They’re like: ‘I haven’t had a good, adult laugh that made me feel seen in a long time.’” Continue reading... from Film | The Guardian https://ift.tt/bkTH0gN via IFTTT

25 years after Lagaan, Aamir Khan and Ashutosh Gowarikar are reuniting on another sports drama, which is scheduled to go on floors in October 2026. The film is based on the life of Lala Amarnath, and set against the backdrop of the 1947 Partition between India and Pakistan. While the prep work is going on in full swing, Bollywood Hungama has learnt from industry sources that the reunion of Aamir and Ashu has got a title, and it's sure to blow away the minds of audiences. According to reliable sources, the duo have decided to call their film Lalkaar. "After Lagaan, it's time for Lalkaar. The title instils instant recall to their cult, and also promises something new. Much like Lagaan, this one too is a strong emotional saga set against the backdrop of cricket," a source told Bollywood Hungama. Apart from Aamir, the makers are on the lookout to cast another actor as the second lead, and the announcement of the same will be made soon. The film is written by Rajkumar Hir...

In a significant development in a long-running copyright dispute, the Delhi High Court has passed an interim order in favour of music label Saregama India Ltd., restraining legendary composer Ilaiyaraaja from broadcasting or communicating songs from 134 films until further orders. The order was passed by Justice Tushar Rao Gedela, who observed that while Ilaiyaraaja continues to hold rights over his original musical compositions, those rights do not automatically extend to the sound recordings incorporated into cinematograph films. According to the court, the copyright in such sound recordings rests with the producer and, where assigned, with Saregama. As per the court's observations, Ilaiyaraaja's rights under the Copyright Act are limited to the musical work itself, which refers to the composition independent of the lyrics and the sound recording. The court noted that these rights cannot be interpreted as ownership over the complete film soundtrack. The dispute arose after S...

This documentary tells the story of the long-distance relationship between a BBC correspondent in London and a photographer on the ground in Syria with charm and humanity Politics is to some degree set aside here in favour of matters of the heart; this is a story of romantic love among the ruins. London-based Lebanese journalist Janay Boulos, while working for the BBC’s Arabic service, fell in love from afar in 2016 with Syrian activist and photojournalist Abd Alkader Habak. He, during the Assad regime, was putting his life in danger to supply her with dramatic footage from his home town of Idlib and later Aleppo. Habak was himself to make international headlines in 2017 by getting photographed carrying an injured child to safety. Habak’s gruelling images are interspersed with Boulos’s smartphone footage of her thoughtfully going up and down in the lifts at BBC Broadcasting House as well as home-movie material of her childhood in the seaside Lebanese town of Byblos; we get their tende...

After emerging as one of the biggest theatrical successes in Hindi cinema, Dhurandhar is now set to continue its global journey. The Ranveer Singh-starrer will release in theatres across Japan on July 10, 2026, marking another milestone in the film's successful international run. Ahead of the release, Ranveer Singh recorded a special video message for Japanese audiences, inviting them to experience the action-packed entertainer on the big screen. Calling Dhurandhar an immersive cinematic spectacle, the actor highlighted the film's blend of drama, intensity, scale and emotion while expressing his excitement about the movie reaching a new audience. The Japan release comes months after the film enjoyed a phenomenal worldwide run following its theatrical release in India on December 5, 2025. Backed by strong box office numbers and positive audience response, Dhurandhar went on to establish itself as one of the biggest commercial successes in recent Hindi cinema.   View this post ...

Actor and Bigg Boss 19 winner Gaurav Khanna has finally reacted to the ongoing speculation surrounding his personal life after his wife, Akanksha Chamola, made a startling revelation on the stage of Lock Upp Season 2. Before entering the reality show's prison, Akanksha claimed that she and Gaurav have been living separately for over a year and are currently in the process of getting divorced, leaving fans surprised. Amid the buzz surrounding their relationship, Gaurav has chosen to focus on extending his support to Akanksha and her participation in the reality show. The actor was recently spotted outside the sets of the comedy-cooking reality show Laughter Chefs, where paparazzi asked him about how he has been coping with the ongoing attention around his personal life. Responding to the questions, Gaurav said, “Bas yaar, wahi yaar jo pehle tha wahi haal hai abhi bhi. Pyaar abhi bhi utna hai, support abhi bhi utna hai… Main toh humesha support karunga Akanksha ko, meri biwi hai yaa...

Birds of War is an award-winning docudrama in which its own directors fall in love while reporting the horrors in Syria. They explain why they needed a psychotherapist to complete it The air is thick with smoke and dust, the ground littered with the twisted remains of burning vehicles. Children scream and sirens blare as activist and videographer Abd Alkader Habak rushes to help the injured after the bombing of an evacuee convoy in Aleppo at the height of Syria’s civil war in 2017. A voice note bubble pops up on Habak’s phone screen. “My bird are you OK?” says BBC journalist Janay Boulos. “Get away from there, run.” For more than a year, Habak and Boulos have been working to document Syrian dictator Bashar al-Assad ’s atrocities against his own people, their connection deepening all the time despite the physical distance. But this exchange represents the moment the pair’s relationship shifts from colleagues to something more. “I don’t want footage,” Boulos says, fear clearly detectable...

Millie Bobby Brown returns, along with the creative team behind Adolescence, for an often thoughtful yet ultimately lesser threequel Despite the ever-increasing size and dominance of Netflix, the streamer has continued to struggle with its most obvious aim. While viewers might flock there for smooth-brained dating shows, tawdry true crime, Harlan Coben thrillers and junky romcoms, the platform is yet to be known for creating original movie franchises, the bread and butter of most old-fashioned Hollywood studios, for better or worse. The problem Netflix often faces is that to turn a big-budget bet into a cultural event, it requires more than a low-stakes click at home and a brief weekend’s worth of chatter. Big numbers might have met wannabe franchise-starters Red Notice and The Grey Man but a lack of real long-term interest has meant that sequels haven’t followed, while its most expensive film ever, Chris Pratt vehicle The Electric State, sank with both audiences and critics. It’s why ...

Based on actor-director Peter Benedict’s own play this tiny-budget thriller has the feel of a stagey recording as the double-crosses pile up higher than an MP’s promises The fictional shadow cabinet minister at the centre of this darkly comic blackmail thriller is offended when the male prostitute he has hired describes his reputation as “colourful”. Colourful MPs support bloodsports and wear bow ties, he says; he prefers the term “maverick”. It’s never said out loud, but clearly he sits on the right in political terms; you can tell from the sneer in his voice as he utters the word “proletariat”. Executioner is adapted by Peter Benedict from his play Deadlock, with a staginess that feels a bit much for the screen. Benedict also co-directs and stars as the MP, called Robert Marlowe, giving a lip-smacking performance that makes Hannibal Lecter look like a character from kitchen sink realism. The entire film is set in the basement studio of Marlowe’s country pile, where he dabbles in pott...