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This Australian documentary about the world porridge championships, held each year in a Scottish village, is as wholesome and nourishing as its oat-stirring subjects The word “porridge” to me evokes something modest and satisfying: mouthfuls of reliable pleasantness in a terribly volatile world. How lovely that The Golden Spurtle – Constantine Costi’s charming documentary about the world’s annual porridge-making championship in the Scottish village of Carrbridge – has assumed some of the qualities of the dish. It isn’t flashy (and certainly doesn’t scream “must-watch”) but, like a good ol’ fashioned bowl of well-cooked oats, it’s got it where it counts. This film is a pleasure to watch – with endearing salt-of-the-earth subjects, a lovely ebb and flow, and a tone that feels just right: neither overly serious nor tongue in cheek. Its appeal is not dissimilar to the Australian comedy series Rosehaven : sometimes it’s just nice to escape into a fresh air-filled world with refreshingly l...

Director and star of the Vegas-set mafia drama spoke to an audience as part of this year’s Tribeca film festival, looking back at their 1995 hit and its timeless themes For this year’s Tribeca film festival, the annual New York salute to moviemaking featured a special screening of Casino , the Martin Scorsese -directed drama starring Robert De Niro , Joe Pesci and Sharon Stone, timed to its 30th anniversary. But even though the splashy epic premiered in this same city back in November 1995, its themes of power, money, greed and ego are echoing in the modern ethos louder than ever. “You can go back to the ancient Greek tragedies,” said Scorsese, speaking alongside De Niro and moderated by the standup comedian W Kamau Bell on stage at the Beacon Theater before the screening. “It’s a basic story of hubris and pride, with the pride taking us all down.” Continue reading... from Film | The Guardian https://ift.tt/8f6hIUC via IFTTT

At 78, the great choreographer is enjoying a career-spanning celebration in Oslo. He reflects on his leap from dance to visual art and why he feels snubbed by Britain A gang of young dancers, their black costumes offset by colourful hats, cascade down the sloping roof of Oslo’s opera house for a jubilant routine to a Prince song by the waterfront. The building’s huge glass facade has become an unlikely stage for sculptures, digitally scanned from dancers’ bodies, positioned as if they are plunging into the building like the nearby bathers in the fjord. Inside, there’s an eclectic bill of ballets including one inspired by a painting from the Edvard Munch museum next door. In the wings of the theatre is an installation drawing on the Buddhist Zen symbol ensō. The studio space is screening short films veering from slapstick to the profound. But this sprawling festival, spanning more than two weeks and then partially touring, has a singular focus. These are all works by Jiří Kylián, the...

Transhumanism has long propelled films from Metropolis to The Matrix. But Jesse Armstrong’s billionaire satire isn’t sci-fi fantasy. Nor is the ‘robotic Grampa’ Disney’s granddaughter so despises For years, the world’s most perfect urban myth was this: Walt Disney’s body was cryogenically frozen at the moment of death, waiting for technology to advance enough to bring him back to life. Started by a National Spotlite reporter who claimed to have sneaked into a hospital in 1967, only to be confronted by the sight of Disney suspended in a cryogenic cylinder, the myth prevailed because it was such a good fit. Disney – and therefore Walt Disney himself – was the smiling face of rigidly controlled joy, radiating a message of mandatory fun that is magical when you are a child and increasingly sinister as you age. This policy (essentially “enjoy yourself or else”) suits the idea of cryogenic preservation. After all, if you have the ego to successfully enforce a blanket emotion as a company m...

The comic caper Housefull 5 has released today and there's a lot of excitement for it, thanks to its sprawling casting, murder mystery element, grandeur and the unique strategy of having two endings. But that’s not all. Viewers who will go to watch Housefull 5 will be in for a surprise. It turns out that there's one more prominent actor in the film, and that's none other than Bobby Deol! Bobby Deol appears in the film in a cameo at a crucial juncture, that too all of a sudden. There are reports of viewers whistling and hooting in his entry scene. Interestingly, Bobby Deol was also a part of Housefull 4 (2019). Housefull 5 stars Akshay Kumar, Abhishek A Bachchan, Riteish Deshmukh, Jacqueline Fernandez, Sonam Bajwa, Nargis Fakhri, Sanjay Dutt, Jackie Shroff, Nana Patekar, Chitrangada Singh, Fardeen Khan, Chunky Pandey, Johnny Lever, Shreyas Talpade, Dino Morea, Ranjeet, Soundarya Sharma, Nikitin Dheer, and Akashdeep Sabir. It is written and produced by Sajid Nadiadwala an...

Tom Hiddleston plays a man who might be the centre of the universe in a film of often effective parts that never really come together As prestigious as it might sound to win the Palme d’Or at Cannes or the Golden Lion at Venice, the surest indicator of Oscar recognition has become victory at the far less fancy, far more mainstream Toronto film festival. There isn’t a jury-based award, instead there’s one decided by an audience vote and, far more often than not, their picks have lined up with those of the Academy. Since 2008, only one People’s Choice award winner hasn’t then gone on to either take home or be nominated for the best picture Oscar, and while the picks haven’t always been the greatest (hello, Jojo Rabbit, Belfast and Three Billboards), they’ve indicated a broad, crowd-rousing appeal. Last year, despite predictions that Anora or Conclave might triumph, out of nowhere the far less buzzy, and, at that point, distribution-less Stephen King adaptation The Life of Chuck triu...

Joachim Lang’s bleak film shows a preening Goebbels and a careworn Hitler as they battle to convince the German public, and themselves, they will win the war In an appropriate spirit of cynicism and bleakness, German director Joachim Lang has made a film about the private life of Nazi propagandist Joseph Goebbels, the Hexenmeister or chief sorcerer of lies, and his always strained relationship with Hitler. Robert Stadlober plays the preening and self-pitying Goebbels and Fritz Karl is a careworn Hitler. Franziska Weisz plays Goebbels’s wife Magda, who at first resented his infidelities with showbusiness starlets but for the sake of the Fatherland submitted to the public image of a good Nazi wife and mother of six adorable children – whom Joseph and Magda finally murdered in the bunker before killing themselves. In its subversive, austerely satirical way, the film feels almost like a B-side to Oliver Hirschbiegel’s Downfall from 2004, and Lang has perhaps even inhaled, just a little,...

Michael J Fox and Christopher Lloyd make plea to help track down cherry red Gibson, 40 years after film’s release Marty McFly grabbed a guitar in Back to the Future and rocked out with the band at a 1950s high school dance, helping him narrowly avoid blinking out of existence before time-traveling back to the 1980s. The guitar, in real life, wasn’t as lucky. Continue reading... from Film | The Guardian https://ift.tt/bvWhZX9 via IFTTT

Challengers director in talks to direct Artificial, film based on behind-the-scenes 2023 drama involving Sam Altman Luca Guadagnino is in talks to direct a new comedic drama about behind-the-scenes drama at OpenAI. The director of Call Me by Your Name and Challengers is set to take on Artificial, a film telling the story of the period in 2023 when OpenAI CEO Sam Altman was fired and then rehired within days. Continue reading... from Film | The Guardian https://ift.tt/Xv3TljM via IFTTT